Timothy Helwig analyzes the shared strategies of class protest in popular and canonical texts from a range of antebellum white and black American authors, including George Lippard, Ned Buntline, Harry Hazel, Frederick Douglass, William Wells Brown, and Frank J. Webb. This pathbreaking study offers original perspectives on racial representations in antebellum American print culture and provides a new understanding of black and white authors’ strivings for socioeconomic justice across racial lines in the years leading up to the Civil War.
Black and White Artisan Heroes 20
The Class Accents of Antislavery Reform 60
The Cross-Racial Appeal of Nativism 100
Class-Accented Sensationalism in the Black and Popular Presses 143
"Helwig makes the case for the significance of a number of forgotten, ignored sensational novels, delivering an entirely fresh reading of the racial politics of antebellum sensationalism. Moreover, Helwig’s new book enriches our understanding of black-authored abolitionist writing: it makes visible another way in which this writing was enmeshed in the literary culture of its moment."—Joe Shapiro, author of The Illiberal Imagination: Class and the Rise of the U.S. Novel
"Well researched and written in clear prose, this book will reward any reader interested inthe ways in which race and class have intersected in US culture."—CHOICE