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Set in West Virginia, The Songs of Betty Baach is a magical guide to resisting despair and a compendium of wisdom and rhythms by which to fortify oneself. The lives of the Baaches of Keystone and the Knoxes of Mosestown twist and connect in a tale of survival and retribution that crosses three centuries—moving from Betty’s girlhood in colonial America to a future warped by environmental collapse and political unrest.

With wit, verve, blood, scars, and a solid dose of self-deprecation, Wisenberg wanders across the expanse of continents and combs through history books and family records in her search for home and meaning. Her travels take her from Selma, Alabama, where her Eastern European Jewish ancestors once settled, to Vienna, where she tours Freud’s home and figures out what women really want, and she visits Auschwitz, which—disappointingly—leaves no emotional mark.

In this darkly comic and inventive debut novel, Jesse Kohn introduces a network of shape-shifters and misfits. A militant priestess broods over orphaned angel eggs. A post-punk band animates a messianic homunculus made of belly button lint. A failed dream journalist goes on a terrible first date to heaven. Each misadventure is a chapter in a book devised to oppose the despotic order of their enemy—the book of webs.

Examining a broad range of popular media, including news coverage of the Brock Turner case, Naomi Iizuka’s popular play Good Kids, the television program Criminal Minds, and the book turned television show 13 Reasons Why, Leland Spencer demonstrates how these representations shore up the carceral state, perpetuate rape myths, blame victims, and excuse those who harm.