Becoming Modern: Studies in the Long Nineteenth Century
This transnational series shifts attention from modernity’s twentieth- and twenty-first-century forms to its earlier moments of uncertain and often disputed construction. Focused on the literature, visual arts, and culture of the nineteenth-century Atlantic world, projects in the series explore the rapid social, political, and technological changes that accompanied modernity. Extensive in scope, Becoming Modern publishes projects that locate modernity in unexpected times and places and amongst neglected constellations of people, institutions, and ideas.
Series editor
Elizabeth A. Fay, professor of English at the University of Massachusetts Boston and author of Fashioning Faces: The Portraitive Mode in British Romanticism. Area Editors
Brian Martin, Williams College
Katie McGettigan, Royal Holloway College, University of London Manuscript submissions
Please direct manuscript inquiries to the series editor or to UMass Press:
Brian Halley, Senior Editor
UMass Press, Boston Office
Provost Office / Quinn Building
100 Morrissey Boulevard
Boston, MA 02125-3393
[email protected]
Elizabeth A. Fay, professor of English at the University of Massachusetts Boston and author of Fashioning Faces: The Portraitive Mode in British Romanticism. Area Editors
Brian Martin, Williams College
Katie McGettigan, Royal Holloway College, University of London Manuscript submissions
Please direct manuscript inquiries to the series editor or to UMass Press:
Brian Halley, Senior Editor
UMass Press, Boston Office
Provost Office / Quinn Building
100 Morrissey Boulevard
Boston, MA 02125-3393
[email protected]
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Original Copy
Ekphrasis, Gender, and the National Imagination in Nineteenth-Century American Literature
Format: Paperback
Original Copy
Ekphrasis, Gender, and the National Imagination in Nineteenth-Century American Literature
Format: Paperback